The Influence of Gothic Literature on Gothic Music Essay examples -- L

The Influence of Gothic Literature on Gothic Music Gothic encompasses many genres of expression. Gothic wileists speak bulge through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires a nonher, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the a good deal broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone. In Frankenstein, Mary Shelleys eery diction turns otherwise normal elements of life into bizarre institutions, a transition which Gothic musicians frequently utilize. Under Shelleys power, science turns ungodly, men evolve into monsters, and gratification sours into pain. To an audience taught to celebrate science as a positive tonicity forward in mankind, Shelley shows the dark side of technology. Sc ience grows as not a life-giving or life-retrieving tool, only when the very temptation which causes the character, Frankenstein, to grovel among the unhallowed damps of the grave and lose all soul or ace but for the unwanted recreation of life (Shelley 39). Frankensteins passion helps no one, but actually forces a being into existence against its wishes and the betterment of the people close to it. Similarly, Gothic musicians use diction to taint common human behavior, namely mental contemplation and sexual intercourse. Through the use of diction, the mind becomes a twenty four hour unblinking watch, (Bauhaus) whose owner himself must minimize as silly in order to come to grips with his thoughts. The depiction of the mind, no longer t... ...The stylistics of Gothic intermingle to produce an overall dramatic progeny across the board of art genres. Henceforth, a chain reaction occurs. Artists nominate Gothic art in multiple genres, fans of each genre discern them selves to the art, and inspiration leads to another rotation in the cycle of Gothic. Ultimately, the influence of art upon art keeps Gothic itself alive. Sources Cited Shelley, Mary. Frankenstein. New York Bantom Reissue edition, 1991. Bowie, David. Outside. Beverly Hills, California, 1995. Tones on Tails. Night Music. England, 1987. The Cure. 17 Seconds. New York, New York, 1980. Bauhaus. Swing the Heartache The BBC Sessions. New York, New York, 1989. Internet. on hand(predicate) WWW httpwww.gothic.net/darkside/dmusic.html Internet. Available WWW http//www.allmusic.com/cg/x.exe1.